The grotesque - the exagggerated, the deformed, the monstrous - has been a well-considered subject for students of comparative literature and art. In a major ad

Frances Connelly examines how the concept of the "grotesque" has influenced the history, practice, and theory of art in the nineteenth and twentieth centuries.

Modernist Wastes is a profound new critical reflection on the ways in which women writers and artists have been discarded and recovered in established definitio