This book presents a new argument that reimagines modern theater's critical power and places innovative writing at the heart of the experimental stage.

It is time to change the way we talk about writing in theater. This book offers a new argument that reimagines modern theater's critical power and places innova

(Applause Books). Including Antoin Artaud, Bertolt Brecht, E. Gordon Craig, Luigi Pirandello, Konstantin Stanislavsky, W. B. Yeats, and Emile Zolaing.

Jo Mielziner (1901-1976) was an acclaimed scenic designer of the Americanheatre. Over five decades his career spanned the flowering of the modernheatre in the U

Theater’s materiality and reliance on human actors has traditionally put it at odds with modernist principles of aesthetic autonomy and depersonalization. Spe