It has seemed at times that there is no neutral territory between those who see Bakhtin as the practitioner of a kind of neo-Marxist, or at least materialist, d

Examines the role that spectators play in the reception and perpetuation of ableist stereotypes about blindness in the theatre.

To metaphorize the world as a theatre has been a common procedure since antiquity, but the use of this trope became particularly prominent and pregnant in early