A study of the innovative music of the twentieth-century composer, Arnold Schoenberg.

First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Portrays Schoenberg's atonal music as successions of motives and pitch-class sets that flesh out 'musical idea' and 'basic image' frameworks.

In 1950, as Arnold Schoenberg anticipated the publication of a collection of 15 of his most important writings, Style and Idea, he was already at work on a seco

The first comprehensive study of musical Holocaust representations in the Western tradition to examine both musical language and cultural value.