Redefining Mainstream Popular Music

Book excerpt: Mainstream as metaphor: imagining dominant culture - Teenybop and the extraordinary particularities of mainstream practice - Historicizing mainstream mythology: the industrial organization of archives - Lesbian musicalities, queer strains and celesbian pop: the poetics and polemics of women-loving women in mainstream popular music - The positioning of the mainstream in punk - Kill the static: temporality and change in the hip-hop mainstream - The contraditions of the mainstream: Australian views of grunge and commercial success - Elvis goes to Hollywood: authenticity, resistance, commodification and the mainstream - Walking in Memphis?: Elvis heritage between fan fantasy and built environment - 'Following in mother's silent footsteps': revisiting the construction of femininities in 1960s popular music - Music from abroad: the internationalization of the US mainstream music market, 1940-90 - 'Sounds like an official mix': the mainstream aesthetics of mash-up production - Chasing an aesthetic tail: latent technological imperialism in mainstream production - The hobbyist majority and the mainstream fringe: the pathways of independent music-making in Brisbane, Australia - Off the beaten track: the vernacular and the mainstream in New Zealand tramping club songs - Musical listening at work: mainstream musical listening practices in the office - Cheesy listening: popular music and ironic listening practices.