""This book is about hair," writes Emanuele Lugli in the first sentence of this innovative cultural history of hair as seen through the lens of Lorenzo il Magni

An interdisciplinary study of hair through the art, philosophy, and science of fifteenth-century Florence. In this innovative cultural history, hair is the port

How our image of the Renaissance’s most famous artist is a modern myth Leonardo da Vinci (1452–1519) never signed a painting, and none of his supposed self-

An alternative history of the Renaissance—as seen through the emerging literature of beauty tips—focusing on the actresses, authors, and courtesans who rebe

Victorian Ethical Optics asks how artists and authors in the Victorian period answer the ethical question of how one should live with others by turning to a mor