The last three decades have witnessed the proliferation of gay/lesbian-themed films both on our screens and at international film festivals. This trend - termed

Intersecting Film, Music, and Queerness uses musicology and queer theory to uncover meaning and message in canonical American cinema. This study considers how q

Brings together the work of both film scholars and queer theorists to advance a more sophisticated notion of queer film criticism.

Proposing a radical vision of cinema's queer globalism, Karl Schoonover and Rosalind Galt explore how queer filmmaking intersects with international sexual cult

French Queer Cinema examines the representation of queer identities and sexualities in contemporary French filmmaking. This groundbreaking volume is the first c