This core teaching text provides a thorough overview of the recently emerged field of transnational film studies. Covering a range of approaches to analysing fi

This core teaching text provides a thorough overview of the recently emerged field of transnational film studies. Covering a range of approaches to analysing fi

Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to

Increasingly, as the production, distribution and audience of films cross national boundaries, film scholars have begun to think in terms of ‘transnational’

In tandem with a postnational imaginary which is nurtured by the ever-present promise of deterritorialized mobility and burgeoning migratory fluxes, walls and f