A detailed study of the sight-singing method introduced by the 11th-century monk Guido of Arezzo, in its intellectual context.

Music Theory has a lot of ground to cover. Especially in introductory classes a whole range of fundamental concepts are introduced at fast pace that can never b

An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.

False relations remain one of the great enigmas of English Renaissance musical culture. Contemporary theoretical treatises explicitly discouraged their use, and

The renaissance flute, with its rich history, stunning repertoire, and mellow tone, has attracted a significant following among flutists, whether they specializ