On their debut, The Clash famously claimed to be “bored with the USA,” but The Clash wasn't a parochial record. Mick Jones' licks on songs such as “Hate a

Following the success of their instantly iconic double LP, London Calling, The Clash set out to do something “triply outrageous.” Named after the Nicaraguan

Oliver, a bitter revolutionary, feels useless in a war that has been raging for decades between the Insurrection and the Vigil. As a librarian, he spends most o

The classic study of post-Cold War international relations, more relevant than ever in the post-9/11 world, with a new foreword by Zbigniew Brzezinski. Since it

“An ambitious look at the last days of the Clash . . . as much a political history of the 1980s as it is a look at an influential band in its final years.”�