Critics and writers consider nonfiction film both as document and as creative work with strong artistic, political, and moral implications. In essays by eleven

"Poetry and cinema collide in Susan Howe's masterful meditation on the filmmaker Chris Marker, whose film stills are interspersed throughout, as well as those o

Examining European art films of the 1950s and 1960s, Mark Betz argues that it istime for film analysis to move beyond prevailing New Wave historiography, mired

Prose and poems