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Language: en
Pages: 242
Pages: 242
Type: BOOK - Published: 2018-06-05 - Publisher: Princeton University Press
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half cent
Language: en
Pages: 241
Pages: 241
Type: BOOK - Published: 2007-10-14 - Publisher: Princeton University Press
Drawing the boundaries of art -- The changing opportunity space : developments in the wider social context -- Change from within : new production and consumptio
Language: en
Pages: 432
Pages: 432
Type: BOOK - Published: 2017-11-07 - Publisher: Simon and Schuster
New York City: a battered town left for dead, one that almost a million people abandoned and where those who remained had to live behind triple deadbolt locks.
Language: en
Pages: 281
Pages: 281
Type: BOOK - Published: 2012-11-15 - Publisher: Cornell University Press
Between 1967 and 1976 a number of extraordinary factors converged to produce an uncommonly adventurous era in the history of American film. The end of censorshi
Language: en
Pages: 265
Pages: 265
Type: BOOK - Published: 2011 - Publisher: Rutgers University Press
In 1929 and 1930, during the Hollywood studios' conversion to synchronized-sound film production, white-controlled trade magazines and African American newspape