In Dionysus on the Other Shore, Letizia Fusini argues that throughout his early exile years (late 1980s-1990s), Gao Xingjian gradually moved away from Absurdist

Gao Xingjian is the leading Chinese dramatist of our time. He is also one of the most moving and literary writers for the contemporary stage. His plays have bee

Offering the first systematic overview of modern and contemporary Chinese literature from a translation studies perspective, this handbook provides students, re

Modern Chinese literature has been flourishing for over a century, with varying degrees of intensity and energy at different junctures of history and points of