Although canons pervade music of the Middle Ages and the Renaissance, they have not received proportionate attention in the musicological literature. The contri

The notion of the individual creator, a product in part of the Western romantic ideal, is now troubled by accounts and explanations of creativity as a social co

6 Mixed Feelings in the Middle English Charlemagne Romances: Emotional Reconfiguration and the Failures of Crusading Practices in the Otuel Texts -- 7 Circulari

A Briefe and Short Introduction (1631) is one of about a dozen late sixteenth- and early seventeenth-century English music instruction books that go beyond the

The worlds of new music and historically informed performance might seem quite distant from one another. Yet, upon closer consideration, clear points of converg